The Aftermath Project is a non-profit organization committed to telling the other half of the story of conflict — the story of what it takes for individuals to learn to live again, to rebuild destroyed lives and homes, to restore civil societies, to address the lingering wounds of war while struggling to create new avenues for peace. The Aftermath Project holds a yearly grant competition open to working photographers worldwide covering the aftermath of conflict. In addition, through partnerships with universities, photography institutions and non-profit organizations, the Project seeks to help broaden the public’s understanding of the true cost of war — and the real price of peace — through international traveling exhibitions and educational outreach in communities and schools.
Outreach & Curriculum
The work produced by our grant winners helps forward the Aftermath Project’s broader mission to educate the public about the real cost of war and the true price of peace. Through lectures, exhibitions and mini-residencies with Aftermath photographers, we engage in a dialogue that promotes a greater understanding of post-conflict societies and the efforts needed to rebuild them, deepens visual literacy, and sharpens critical thinking in defining what issues need our most urgent attention, in the media and in public policy debates. Currently, we also hold an annual Aftermath Project workshop for students in the EXPOSURE program, which is part of the Institute for Global Leadership at Tufts University. Students spend 10 to 14 days with two Aftermath Project photographers, exploring post-conflict issues in the field, in locations such as northern Uganda and India. In addition, our immediate goals include the creation of curriculum that will introduce aftermath issues at the high school level. To explore curriculum development possibilities, to partner with the Aftermath Project in our outreach work, or to hire us to hold a workshop or residency, please contact us.
The Aftermath Project is an outcome of photographer and writer Sara Terry’s five-year-long project, Aftermath: Bosnia’s Long Road to Peace, about the aftermath of the 1992–95 war in Bosnia and Hercegovina. She completed her work in 2005, convinced that a broader public understanding and discussion of aftermath issues was crucial in a world where the media regularly covers war, but rarely covers the stories that follow the aftermath of violence and destruction. Sara founded The Aftermath Project as a way to help photographers tell these crucial stories.
To fund its first year of grants, The Aftermath Project held auctions in Los Angeles at the Michael Dawson Gallery, at Peer Gallery in New York, and at Mets & Schilt in Amsterdam. In an incredible show of support, more than 200 images were donated by documentary and fine art photographers from around the world, including images from some of the best-known photographers working in the field today. Because these photographers were an integral part of the founding of The Aftermath Project, the auction images remain online as part of our history. Some photos are still available. To inquire about a specific image, please contact us.
WHO WE ARE
Sara Terry: A former award-winning staff correspondent for the Christian Science Monitor and magazine freelance writer, Sara Terry made a mid-career transition into photojournalism and documentary photography in the late 1990s. Her long-term project about the aftermath of war in Bosnia — Aftermath: Bosnia's Long Road to Peace — was published in September 2005 by Channel Photographics and was named as one of the best photo books of the year by Photo District News. Her work has been been widely published and exhibited in such venues as the United Nations, the Moving Walls exhibition at the Open Society Institute in New York, the Museum of Photography in Antwerp, and the Leica Gallery in Solms, Germany. Her photos are in the permanent collection of the Museum of Fine Arts, Houston, and in many private collections. In 2005, she received a prestigious Alicia Patterson Fellowship to continue her work in Bosnia. In 2003, she was a finalist for the Alexia Foundation grant, for the same body of work. She is currently working on another aftermath project, Forgivness and Conflict: Lessons from Africa, which explores traditional practices of truth-telling and forgiveness in post-conflict African countries. She has been recognized for her work in founding and building the Aftermath Project, with the 2008 Lucies Humanitarian Award, and the 2007 Rising Star Award from the Griffin Museum of Photography.
Gretchen Landau: Landau has collaborated closely with Sara Terry since joining The Aftermath Project in 2012, and has been responsible for fundraising and networking. She has overseen many aspects of The Aftermath Project’s work, including the re-design of the organization’s website, which was launched in April 2013.
During her career as a media and marketing professional, Landau broke new ground in 1992 by starting the country’s first nationally syndicated Spanish talk radio network providing a forum to Latino’s in America who were able to discuss, for the first time on a national level, the trials they faced raising their children, surviving and thriving as a minority in the United States.
She spent over a decade in New York and Los Angeles racking up ratings and ad sales for Disney/ABC/ESPN. While at ABC Landau headed national rock radio promotions for major record labels. While at ESPN, she was a team leader on numerous national accounts.
Landau began her media career in public radio as an on air music personality. While working at the station she produced and developed community outreach programs collaborating with the local cable network.
She is also one of the producers of Sara Terry's second documentary, FOLK.