Sara Terry speaks about The Aftermath Project at the Anneberg Space for Photography
If you're in San Francisco in April, don't miss this exhibition, "Memory of Trees," by one of our early grant winners, Kathryn Cook. GREAT work about the Armenian Genocide. (Kathryn's work is also featured in "War is Only Half the Story, Vol 2").
An Exploration of Resilience and Resistance: Kin
Be Completely Still
War is Still Alive
The Rebels
A-Tea-Mosphere
Conversion
Morie, Prince of the Dead
Uxo in Laos
Hidden Scars
The American Landscape: Real Allegory
Grozny
Memory Denied
Unseen Iraq
Too Young to Die
The Club Nobody Wants To Join
The Last Balkan Storm
The Most Important Picture
Red Thistle
The Silence of Others
Syrians in Limbo
The Central Pacific
Ephemera
Surviving Wounded Knee
Men and My Daddy
Women Warriors
High Fire in the Forest’s Heart
Fringe of the Empire
If Chaos Awakens the Madness
Bon Amis
The Time in Between
Destino
Nur/Light
Plexus
Mapping of Massacre Sites in Algeria
Who is Genízaro?
Refugees of Georgian Villages
FEVER
Faith in Chaos
Home Front
American Women
What Has Been Will Be Again
Rise
Lifting the Veil
Out the E
The Last Yugoslavs
The Land of Blood and Dirt
For God, Race and Country
War Sand
The New Europeans
Raped Lives
El Lamento de los Muros
Toy Soldiers
Bosnia's Long Road to Peace
The Other War
Looking Forward
Moments of Freedom
The Idea of India
War Toys
Goodbye My Chechnya
A Ukraine Runs Through It
Fear and Bloodshed
Commentary on the Apocalypse
Dar Jostujo-e Khana/In Search of Home
Reclaiming the Dead
Wounds
Nitaminikaazo
Nothing and So Be It
Artifacts of a Kidnapping
Crying Game
Everybody Needs a Good Neighbor
Children of the Lake: Rebirth
American Memory
Into the Half-Life
Sahel
The Disowned and the Denied
Life on the Dark Side
The Desert Belongs to Woman
Kansas Black Cowboys and Black Farmers
The Vertigo of Time
Infertile Crescent
Scars of Independence
Acknowledgment of Danger
Blue Line
My Brother’s War
United Colours of War
Privileged Mediocrity and the Deceived Within